Оригинал взят у
mudraya_ptica в про картинки про Георгия и драконаКартинок про Георга, конечно, множество и приходится себя ограничивать. Постаралась выбрать самые занятные, потом, может быть, поклассичнее чего-нибудь выложу.
На этой вот у Георга знакомый шлем и замечательное оружие в виде стрелы, которую сначала носила Венера, а потом Любовь из триады (ну или наоборот, не знаю точно).
St George slaying the dragon; on horseback, facing right; Princess Cleodolinda in left background.
Print made by: Daniel Hopfer. After: Raphael
School/style German. 1505-1536
Curator's comments
Acc. to Hollstein possibly inspired by Raphael's Death of Heliodorus in the Stanza d'Eliodoro at the Vatican.
Bm
1
Icon with St George and the youth of Mytilene
Made in: Lod (?) (Asia,Middle East,Levant,Israel,Lod). 13thC(mid)
Acquisition notes
Sold as a 19th century Russian icon at Christies on 31 March 1968, and described as from an English collection.
Bm
Тут у Георга загадочный спутник с бокалом вина. И чудесна история, как русская икона 19-го века превратилась в палестинскую 13-го.
2
Spoon; silver-gilt; bowl engraved with Virgin and Child with St Anne; handle modelled to represent St George in armour piercing the dragon; armed with sword and long dagger; back of bowl with engraved fleur-de-lis; inscribed.
Date 1450-1500
Made in: Malmö Europe,Scandinavia,Sweden,Skåne,Malmö)
Acquisition notes
This collection is known as the Waddesdon Bequest under the terms of Baron Ferdinand Rothschild’s will.
Bm
Ложка из Мальмё сама по себе прекрасна, хотя непонятно, как ее держать, чтобы есть, а не любоваться. Кроме Георга со змеей, на ложке еще иображена так называемая "Anna-te-drieën",то есть Анна, Мария и Младенец. Про этот сюжет я еще не все доизучала, но картинок тоже оказалось слишком много для общепринятой версии о матери Марии, очень рано ее покинувшей.
3
St George; the saint stands in full armour in the centre and pierces his sword through the dragon's throat; to the right stands his horse, seen from behind; in the background is a hill, where the princess stands with raised arms next to a lamb; on top of the hill is the city of Selene.
Print made by: Monogrammist PW of Cologne. 1499-1503 (c.)
At lower margin, the artist's monogram "P W" is engraved. On the horse's bridle: "AVE MARIA MATE(R DEI)".
Curator's comments
This print was issued as a black and white facsimile by the British Museum in 'Reproductions of Prints in the British Museum', New [Second] Series Part II (Early German and Flemish Prints), Published by the Trustees in 1889, where it was number XX and described there as 'Master Using the Initials P.W. St. George and the Dragon.'
Bm
В начале всего, в смысле широкого распространения картинок, изображения Георга наиболее вычурны почему-то.Ну подозрения у меня, как обычно, наличествуют)).
4
St George; the knight depicted on horseback, with raised sword, underneath the horse lies the dragon, pierced by a lance; the princess with lamb stands on a hill in the left background.
Print made by: Master MZ. 1500-1503 (c.)
Curator's comments
Loosely based on Dürer's "Small Courier" and "Knight and Lansquenet".
Bm
Что-то дракон тут сам на себя не похож))
5
St George with the dragon at his feet standing in front of a pilaster in a landscape
Print made by: Nicoletto da Modena. 1500-1510
Curator's comments
The delicate engraving, the use of stipple on the ground and the soft light suggests that this print was produced in Venice and reflects the work of Vittore Carpaccio (1460/6–1525/6). The dragon, tethered with the princess's girdle, is subdued in contrast with St George who stands confident after his victory. The imaginative architecture provides the perfect background for the decorative armour and headgear worn by St George.
Bm
Как насчет дракона на веревочке? Это Георг или Марта, я не очень понимаю))
6
Joris (Georgius) staand met lans en twee engelen, Lucas Cranach (I), 1506
Rm
Прическа изумительная, по-моему
7
Saint George with the Princess and the Slain Dragon, Hans Burgkmair (der Ältere), 1508
This scene of Saint George and the dragon is the earliest known chiaroscuro woodcut. The design in black is printed with a line block, and the green areas with a tone block in which the light passages have been cut out. This spectacular print was signed by Hans Burgkmair from Augsburg and the block-cutter Jost de Negker from Antwerp. Which of the two artists conceived the idea of using a tone block is unknown.
Rm
Стоять-бояться. Георг тут ну очень грозный))
8
Saint George and the Princess, Lucas van Leyden, 1506 - 1510
Lesser known episodes from the story of Saint George are also sometimes the subject of a print. Here the princess tells of her sad circumstance: because the dragon has eaten almost all of the sheep, the king daily sends the monster a child and a sheep. They are also depicted on the ceremonial chain, as is the princess, who together with the sheep, hopes for a happy ending.
Rm
Я злодея зарубил, я тебя освободил...
9
St George; wearing armour, holding a flag, his foot resting on the body of the dragon, a plumed helmet on the ground at left
Drawn by: Hans Schäufelein. 1508 (circa)
Curator's comments
Linking it with Dürer's engraving ‘Saint George, standing’ (Dodgson, ‘Dürer Engr.’, pp. 62-63, no. 46, repr.), both Ephrussi and later Lippmann considered this to be by Dürer. As Parker noted in the 1928 ‘Guide’, the drawing was first attributed to Schäufelein by Bock, and seen as an early work of his by Buchner. This miniature scale reworking of the engraving is effected with the straightforward simplification of Dürer's vocabulary, done in pen with an amusing naiveity, characteristic of his early drawings: he adopted a pen line full of curls, but unlike Dürer, scarcely attempted to give any marked individuality, above a certain type-casting to his figures. Dürer's engraving is usually dated c. 1508 and judging from the drawing's style it is likely that it was executed very soon after the print was finished, very possibly shortly after he set out for Swabia from Nuremberg, where he had been working largely for Dürer.
Bm
Кто сказал, что Георг был молодой и красивый?
Я так понимаю, что сначала были только Дюрер, Рафаэль и Микеле А., а уж потом стали появляться разные другие имена))
10
Title (series) Holy Knights with the Archangel St Michael
St George on horseback holding a flag with the Cross besides a dragon.
Print made by: Jacob Cornelisz. van Oostsanen. Published by: Doen Pietersz. 1510. Amsterdam
Lettered with a monogram in lower right corner. Below two columns of text headed "Ad Sanctum [abbreviated] Georgii, / Oratio"
Curator's comments
This is one from a series of seven woodcuts, of which only five prints have survived worldwide, most of the impressions are unique. Each woodcut is printed from two woodblocks; they are dated 1510 on the first sheet.
Bm
Тут тоже веревочка. Головной убор очень креативный.
11
St George as the patron saint of Emperor Maximilian I; the saint in armour holding a flag at left, the dead dragon at his feet; Maximilian kneeling at right, next to a chapel; landscape background.
Print made by: Hans Springinklee. c. 1516-1518
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12
Coat of arms, probably of a Lucerne family, with St George as a supporter; saint with flag and a dragon below, a toad surrounded by scrolls, crest and head of a stork (?) above
Drawn by: Hans Holbein the Younger. 1517-1519 (circa)
School/style Swiss, German, British
Bm
13
St George killing the dragon; the saint on horseback; seen from behind, his face in profile to right; raising his sword; the dragon below the horse; the broken lance protruding from its mouth; landscape background.
Formerly attributed to: Hans Leinberger. Print made by: Monogrammist HL. 1511-1533
Bm
Один вычурнее другого. Не знаю, кому отдать пальму первенства, просто теряюсь.
14
St. Joris en de draak, Monogrammist HL (16e eeuw), c. 1525
Rm
15
Triptych with the Adoration of the Magi, Bartholomäus Bruyn (I) (manner of), 1520 - 1600
Op het linker zijpaneel de geknielde mannelijke schenker met zes zonen en de heilige Joris met een vaandel. Op de lessenaar het wapen van de familie Van Rooy. Op de rechter zijpaneel de geknielde vrouwelijk schenker met vijf dochters en de heilige Anna-te drieën
Rm
С одной стороны Йорис с алым знаменем и змеей на шлеме, с другой Анна-те-дриен почему-то.
16
Figure of St George, standing in armour holding a lance; a figure extracted from Giorgione's Castelfranco altarpiece in reverse, with head changed to remove helmet
After: Giorgione. Print made by: Michel Lasne. Published by: Malbouré.
School/style Italian, French. 1630-1667. Paris
Curator's comments
It is curious that Lasne thought that the composition was by Raphael.Jones 1990
This engraving is by Michel Lasne 'after Raphael'. It is based on a detail from Giorgione's 'Madonna and Saints' in the National Gallery (269).
Bm
17
Plan of the Battle of the Boyne; in upper half, troop formations; lower centre, map showing the river Boyne; lower left, the royal coat of arms, and St George slaying the dragon, with the motto 'Trajicit et ejicit'; lower right, portrait of William III and Mary II.
Print made by: Romeyn de Hooghe. 1690 (c.)
Bm
18
Sint Joris te paard doorsteekt een duivel, Caspar Luyken, 1705
Illustratie uit: Basnage, Jacobus. 't Groot waerelds tafereel, waar in de heilige en waereldsche geschiedenissen en veranderingen zedert de schepping des waerelds tot het uiteinde van de Openbaring van Joannes, worden afgemaalt, 3 delen. Amsterdam: Jacob Lindenberg, 1705.
Rm
Это дракон такой?? Неожиданно))
19
H. Joris en de draak, Jacobus Harrewijn, after Bernard Picart, 1711
Св. Йорис в классических доспехах убивает дракона, символ превращения языческой страны в христианство. Само место олицетворяет собой девственница на переднем плане. Слева смотрят солдаты, на фоне городских стен и побережья с дьяволами и громовыми облаками.
Bm
Вот все и разъяснилось с символикой-то).
20
Saint George, the Chief Champion of England
Bearded warrior wearing classical armour, half-length facing front, raising his sword with his right hand and holding shield decorated with lion in his right; view of battlefield with dead soldiers at right, text below.
Print made by: Anonymous. 1750 (circa). London term details
Lettered with title, text in two columns and publication line: "Printed and Sold in Aldermary Church Yard, London".
Curator's comments
Woodcut produced using sixteenth-century woodblock that must have appeared in a different context, probably German.
Malcolm Jones has found another state of the block in the Ashmolean. The figure is identified not as St George, but as William the Conqueror, and the imprint reads "London, Printed for George Minnikin at Finsbury near Moor-fields"
Bm
Ви а зе чемпионс оф зе ворлд, кос)
21
Tobacco-paper for Edwards's Best Virginia, at the Green Man and Still in Goswell Street, London; Anti-Gallican coat of arms surmounted by Britannia, weaponry and flags, with St George mounted on a white horse, spearing a shield decorated with the fleur-de-lis of France, supported by the British lion and the Austrian double-headed eagle, with motto 'For our country'; lettered cartouche below.
Anonymous. 1745-1756 (circa)
Curator's comments
The Anti-Gallican Society was founded in 1745, Austria remaining an ally until fighting alongside the French in the Seven Years War (1756-63).
Bm
За нашу и вашу. А двуглавый будет на побегушках. Мда.
Анти-галиканцы плавно превращаются в англиканцев, например, почему нет? ))
22
S Georgius Megalo-Martyr
St George; half-length surrounded by his attributes including banner dragon and helmet.
Print made by: Johann Baptist Klauber. 1750s (c). Augsburg
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23
Badge of the Anti-Gallican Society. In the centre is a painted enamel of the arms of the Society St George on horseback spearing flag of Royal Arms of France.The escutcheon is supported by a yellow lion and a grey double-headed eagle.A blue enamelled scroll has a gold motto. At the top is a crown set with rock-crystals and five ship's sails with the cross of St George. At the base is a seated Britannia painted beneath a glass medallion. The back is covered by silver-gilt plaques engraved with designs repeated from the front. A silver suspension loop is on the back of crown and the pendant is set in silver scrollwork with faceted rock-crystals.
School/style Rococo. 1750-1755 (circa). England
Bm
24
Henry 5th, his Queen and Family
Henry VII (erroneously described as Henry V) opposite his wife, Elizabeth of York, both kneeling in prayer at altars, their three sons kneeling behind the king and their four daughters behind the queen, two tents behind with an angel between, the fabric in his hands, a fanciful depiction of the mounted St. George swinging his sword at the flying dragon on the hills behind, a broken lance on the ground, the princess and her hound watching, castles and forests beyond; illustration to Walpole's "Anecdotes" (1762)
Print made by: Charles Grignion. 1762
Bm
25
S. Giorgio
St George standing beside his horse, gesturing to the dead dragon, while the princess stands to the right; above St Michael and the angels cast down devils.
After: Lodovico Carracci. Print made by: Giuliano Traballesi. 1760-1780
Numbered bottom right 11, and lettered with title followed by 'Quadro di Lodovico Caracci alto palmi 11 e largo 7. Esistente nella Chiesa di S. Giorgio in Bologna', and 'J. Traballesi del. e Scul. Formis Flor.'
Bm
Вместе с Михаилом
26
St George slaying the dragon on the bank of a lake; in an oval; illustration to Isaac Watts' 'A Choice Collection of Hymns, and Moral Songs' (Newcastle upon Tyne: 1781, p.43); proof.
Print made by: Thomas Bewick. 1778-1781
Bm
Вместо Михаила
27
Saint George for England.
Title (series) Seven Prints of the Tutelar Saints
№ 1 серии. Моряк (справа налево) - британский лев; в правой руке он протягивает пенистую кружку, слева - меч, лежащий на плече и пронзающий огромный филей говядины. Его шляпа украшена крестом Святого Георгия в медальоне и с брызгами дубовых листьев и желудей. На львиной голове - брызги роз, его правая передняя лапа покоится на сливовом пудинге в блюде. Его хвост поднимается почти вертикально. Позади, увиденные через ноги льва, находятся корабли в полном парусе, облака дыма, показывающие, что идет военное сражение.
Этот дизайн окружен границей: два круга - хмель, кружащийся вокруг полюса, с дубовыми листьями и ушами пшеницы на вершине. Верхний край - это название на свитке с дубовыми листьями. Нижняя часть состоит из дубовых листьев, желудей и роз, центрированных пунш-чашей. Ниже границы выгравированы:
"Behold your Saint with Glorious English Fare,
Noble Sirloin, Rich Pudding and strong Beer.
For you my Heart's of Oak, for your Regale,
Here 's good old English Stingo Mild & Stale.
This Porter is by Famous Calvert made,
Justly Renowned of all the Brewing Trade.
Such cheer as this will make you Bold & Strong,
Who'd not on such a Noble Saint, Rely on."
Published by: Carington Bowles. 1781
Curator's comments
The first plate of a series seven plates of tutelar saints. The next plates are of Sts David, Andrew and Patrick, and the other three are of Spain, Italy and France.
Bm
Никак не могла понять, что у льва на тарелке, а это сливовый пудинг оказался.
28
Allegorie op Noord-Afrika en Malta, Carel Jacob de Huyser, after Willem Kok, 1786
Titelpagina uit: Hedendaagsche historie of het vervolg van de algemeene historie ... behelzende de historie van Algiers, Tunis, Tripoli en Barca; benevens die van het eiland en der ridder-orde van Malta. XVIIde deel. Amsterdam: Matthijs Schalekamp, 1786.
Rm
29
Monument met twee putti en een voorstelling van de heilige Joris en de draak, Hendrik Numan, 1746 - 1788
Rm
Эти как бы языческие персонажи демонстрируют монумент победе Георга над язычеством. Или зеемонстром?
30
St George, full-length, turned to the left and looking at viewer, the slain dragon lying at his feet; after the panel executed by Dosso Dossi for the Constabili Polyptych, Sant'Andrea, Ferrara
After: Dosso Dossi. 1800-1850 (?)
Bm
Такого дракона еще не попадалось. Как бы лев был, а это как бы бык, видимо?
31
Medallion; cream-coloured wax design on slate; with glass cover; St George and the dragon
Modelled by: William Wyon. 19thC(early). London
Bm
Грекоримская тема проявилась неожиданно.
32
Der heilige Georg
St George on horseback killing the dragon, from an image in Leipzig Cathedral. early XIXc
Anonymous. 1800-1830 (circa)
School/style Russian
Lettered with title in German and in Cyrillic characters; more Cyrillic within the image
Curator's comments
Possibly a German print for the Russian market
Bm
33
Sint Joris, Bernard Willem Wierink, 1866 - 1939
Rm
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